白日杀机
故事描述了陈伟(章宇 饰)和性感美女艾菲(亦涵 饰)前往一处废弃多年的化工厂做规划设计,却意外陷入了一连串恐怖事件的故事。一路上,艾菲作为第三者,主动示爱陈伟,两人暗地里偷偷交往,而陈伟则在背叛自己的女友的情况下接受了这种行为。他们抵达化工厂后,发现这里布满了诡异的氛围:墙上刻着血字,艾菲突然消失了。陈伟意识到自己可能已经陷入了一个危险的陷阱,成为了神秘人设计的牺牲品。 陈伟与神秘人展开了搏斗,试图逃出险境。在这场斗智斗勇中,他们面临着生死攸关的局面。最终,是否能够成功逃生,成为故事的悬念。然而,即使逃脱了生理上的危机,陈伟还将面临道德和良知的拷问。他的背叛行为是否值得,他对自己和他人的所作所为是否感到内疚和后悔,这些问题也将成为他未来的挑战。
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Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present. Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.
那个人在想什么事情
The main character is Dr. Max Holst, a successful neurosurgeon. One day an intense little man named Steinmetz shows up, who has the real ability to create objects out of thin air, using only his mind. As no one believes him at first, he is held at a ward for mental patients, but manifests the key to his door and escapes. As he has a special interest in Dr. Holst, Steinmetz subsequently invites Holst to his large mansion, which is full of expensive paintings and sculptures, and proves to him that he can in fact materialise objects. Steinmetz’s abilities are evolving by leaps and bounds, and is progressing from being able to create objects only to being able to create living things. His ultimate ambition is to be able to create a human being. He tells Dr. Holst that if he will only perform a certain brain operation on him, Steinmetz will become able to attain his goal. He’s got all the necessary equipment set up in his basement. Dr. Holst, however, is too spooked by the whole thing to agree to this mad scheme, and refuses. Steinmetz then sets about manipulating Holst’s life, to pressure him into performing the operation. By then Steinmetz has become able to create a temporary human being, and in the hope that he can perhaps make his own creation perform the operation, he manifests a doppelganger of Dr. Holst. This double proceeds to take over Dr. Holst’s life, creating chaos for him professionally and personally. And then Dr. Holst starts fighting back. The ending has the dual virtue of being both unexpected and satisfying.